Originally built as a cinema, or picture palace, the Regent is a love it or loathe it venue that for ages onlyhad a small number of good seats. It's much more mainstream, with clearly defined good guys and bad guys, and the good guys keep beating the bad guys. Traditionally, these were concentrated in the stalls, as close to the stage as possible. I loved it. The opera managers, monsieurs Andre and Firmin provide light comic relief throughout, as well as being key to the storyline. The best thing about Hamer Hall is simply being in it, now its had its multi-million dollar makeover; its the only venue in the world that makes bright orange feel classy. The fog during the boat scene didn't seem as bad as some other people have said, so not sure if they've toned it down. I do believe that he single handedly ruined the show. ___________________________. If they ever get around to rehabbing this tired theater, they need to adjust the rake. The story is interesting. I have seen this show twice before with John Owen Jones and I think JOJ had the better voice. They work so hard to make the show one of the best I have ever been lucky enough to see. Killian impressed me straight away. Otherwise a great view with slight obstruction of front left of the stage. An Archive of Our Own, a project of the Organization for Transformative Works The Merlyn is technically a flexible seating space, and has been set up in traverse, thrust and even with no seating at all. The Johnson Family Best are B 13 and 14. I sat in the GRAND CIRCLE in Row H seats 26 and 27. And perhaps come on a UK tour???? Hertfordshire. You only miss a slight amount of action far left of the stage but nothing too noticeable. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Paige Blankson will be the alternate Christine Daa, playing the role at certain performances. Christine was one of the only redeeming qualities. You are close enough to the stage (there is no row A) to see most of the action and by sitting right at the side of the auditorium you didn't have to move your head from side to side too much to follow the action. I think it is criminal for the seats in the back row of the Royal Circle to be advertised and sold in the same price plan as seats with a far better viewing angle either elsewhere in the RC or in the stalls. I have to say I was more impressed than I was expecting. You won't see me at those kind of things. I was seated in row L seat 5 - totally great seats - at Her Majesty's Theatre. As for my verdict - it is still the best show in London and a must see (many times)! I had no idea such incredible music could be ruined so easily. The drinks at the middle break were extremely expensive, but this is LONDON. Enjoy! My main problem is that the music is boring. P.S. John Owen Jones was great as the Phantom and the music is still as great as ever. 2nd in line, and I got 030 in Stalls for 25 - way under Balcony missing a few of the stuff like Phantom on a set-piece high and the chandelier going up. Kelsey R. As a lifestyle editor and frequent West End visitor I've even recommended your page to our readers :) . We had Stalls G 1 and 2. Well, he was very good looking - that's where the positives end. Very large indeed, it can feel a little cavernous, so its better to sit as close to the stage as possible. We uncover the best of the city and put it all in an email for you. Don't get me wrong there was nothing BUT good I could say about the performance, however I just wanted to point out the problem that I encountered with Stalls G2 and that it may be useful for you to know. Bromley I thought I'd be cramped - but I'd sacrifice that for our experience- and it shouldn't affect my much more reasonably sized wife. Lo and behold, shortly after this, the people whose seats they had taken arrived which meant they had to move and the whole debacle started again with the whole row standing up. Not the best start to Phantom really and I was quite cross. We were allocated seats in the Grand Circle; K22 and 23. Phantom is also a quiet musical, and does not rely on deafening the audience to be effective, apart from the natural crescendos within the score, and obviously the Phantoms theme tune The lighting is absurdly clever, as are most of the special effects. 11/10. Get quick answers from Her Majesty's Theatre staff and past visitors. Best Calypso Trinidad and Tobago Music 2021 - with Steel Drumshttps://www.youtube.com/watch?v=wRO3Jf1wF1kBest Calypso Music - Trinidad \u0026 Tobago - Steel Drumshttps://www.youtube.com/watch?v=JpUh5wUBkbM2021 Calypso \u0026 Hawaiian Music - Trinidad Tobago \u0026 Hawaii Best Steel Drums Music Mixhttps://www.youtube.com/watch?v=w_d95XP3_G4 Best Tropical, Caribbean, and Steel Drum Musichttps://www.youtube.com/watch?v=0dVvsX3SlsQ 2021 MGTracey Ltd Fiona in Florence. I took my mum and my boyfriend to see this show in October 2003, for my mum's 60th birthday. Didn't like this musical - worst musical I have seen in West End. It is, in a word, spectacular, by which I mean that it is all spectacle. How to get here Her Majesty's Theatre is located at 58 Grote Street, Adelaide, which is on the north side of the street. Amazing view of both the entire stage and the orchestra put. The thundering Overture sets the show off into a great whirlwind of excitement, and the show lives up to all of the hype associated with it. I have since listened to the music from the original cast (Michael Crawford and Sarah Brightman), but in my opinion, Earl Carpenter (Phantom) and Rachel Barrell (Christine) are far more talented. She even lip-synced the duet 'Phantom of the Opera' because suddenly her voice was completely different. How he got such a prestigious part is way beyond me! _________________, I tried to keep an open mind. For the (access rate) of 29.75 I thought it was great value. I saw"Phantom" on the 31st of May 2003 for the second time. All in all an enjoyable afternoons entertainment but not a show we will be rushing back to soon. The Best Technical and Innovative Podcasts you should Listen, Essay Writing Service: The Best Solution for Busy Students, 6 The Best Alternatives for WhatsApp for Android, The Best Solar Street Light Manufacturers Across the World, Ultimate packing list while travelling with your dog. Sadly, I felt that Ramin Karimloo's performance as the Phantom was weak vocally - it certainly did not live up to the hype I had heard. The music was fantastic, and the singing was mind blowing. Having seen Scott before I was a little disappointed, as I hadn't been impressed with him on that occasion. Thank you to the man further down our row who was nearer to them than us who told them very firmly to be quiet! The best of the elevator muzak score is heard within the first twenty minutes with almost all the best scenic effects and plot developments occurring simultaneously. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. He brought back a vulnerability to the role that hasn't been seen in a Phantom since Michael Crawford in my opinion. Cashier said sometimes very good seats can be available at the last minute for 25. His stage presence was good and he certainly had a haunting quality, but I felt that his singing was a bit too 'pop star'-esque for the role. Phantomwell this is one of my favourites. The curtains need a good wash (as an earlier reviewer noted, I think), but it was still great!!! For a first time goer I would recommend a seat further back but for someone who has seen the show at least once before it is absolutely perfect! But if your looking for a show to see in London go and see this, or end up kicking yourself as you leave some other poor show and see the audience leaving "Phantom" totally amazed. What are the best seats at Her Majestys theatre? Simon Bailey was Raoul, and he was really good considering the part he plays makes him look like a wuss. Also being further back meant I didn't have to look from side to side when the action was spread out, and I didn't have to look almost straight upwards trying to glimpse the Phantom in the chandelier. She was very impressive and did the musical justice - easily bettering Sarah Brightman for anyone who listens to the original CD. Arrived 9am, about 15 people in front. It only emphasis's the passion! Having been told by the representative that yes you could in fact buy tickets on the door, at a cheaper price for the best seats in the house, we set off extra early, and arrived at the theatre at about 8.45am for the doors to open at 10am. The show is almost impossible to describe, as it is so good. Very restricted view View 1/5 Comfort 4/5 Legroom 4/5 I wanted to watch the play so bad, I took a chance on the seat. Had the Vicar been a devout Catholic, he would doubtless have crossed himself, as it was he gave a kind of holy groan, and rolled up his forehead, as he was wont to do when any . A word about the staff - I would have thought that faced with the monotony of dealing with the same tourist crowd with the same familiar music they would lose a bit on the service front, not a bit of it. The theatre is beautiful and conveniently located. I had to phone See again, and after much discussion over the phone, they begrudgingly gave me their complaints department email address (something very difficult to find online). Tut tut Christine Daae! Didn't know the storyline beforehand and found the second half a little confusing. We absolutely loved it!! Anna Forbes as Meg seemed to change the way she played Meg the last time I saw her with Sofia. magic!!!! Also for this show we got Harriet Jones as Christine and she had such contrasting frightened and sexy sides! In fact we were so impressed we went to the Stage Door (and missed our train, but it was worth it). The balcony seats tend to be pretty high up, but they might be the best choice for the budget-conscious. Couldnt have asked for a better first experience of The Phantom of the Opera. For those who expect a traditional musical, do not go here. The second time I saw POTO I realised I had missed so much the first time round, so knew I had to go again just in case I missed even more! There is nothing wrong with the first few rows of the stalls, but the dress is the place to be. The staging was clumsy with actors spending much of the show wandering the stage looking as if they couldn't find a mark and even when they did their delivery was sub-standard. To add more atmosphere, they should make all of the sound louder. His Phantom is both angry and vulnerable, and I have always agreed with the Monkey in thinking that Christine chooses the wrong man, and this time it feels like that even more so than with past Phantoms. BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. Christine was also very good and played the character well. Christian Ball, I was very shocked to read Paul Johnsons review of Phantom, notably his opinion/attack on Mr McCann. We sat in the Grand Circle D17 and D18 which is right in the middle. I think this understudy made no difference in my enjoyment of the production. the special effects were among the best I have ever seen in a theatre, the music and the acting - I loved every minute of it. I am a regular visitor to the Theatre and am aware that the top price tickets are the best seats but in this instance we had to take the last seats available.To sum up - we paid full price for seats with restricted view!!! I never have a problem with legroom in the dress circle; I find the D/C my preferred place to sit in the theatre to the stalls. I sat in the Upper Circle's B36, which is priced at 21 due to its very restricted view. Support A View From My Seat by using the links below to purchase tickets from our trusted partners. My friend who came with me has bought me the CD of the show so I can sit on this computer and drift back in my mind to that memorable Saturday afternoon matinee 2 week's ago. PUBLIC TRANSPORT With Sofia she seemed a bit more mature to compliment; but with Katie she acted so much younger, they did seem like childish yet lovable girlfriends. ____________________. Kate Radmilovic and Rohan Tickell as 'Carlotta' (she really was fantastic) and 'Piangi' were fabulous. Performance schedule. Still the best theatre show of all the theatre shows Ive seen. We were both absolutely blown away by the beginning when the music starts and the chandelier begins its ascent. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. Excellent view of the stage and I enjoyed it very much. 2 March 2023. It was quite painful to see it in front of me. From Monday 3rd April 2023, Jon Robyns will playThe Phantom and Holly-Anne Hullwill playChristine Daae - with Paige Blankson playing the role at certain performances. Good seats for the lower priced tickets. 13 February - 2 March 2023. Pontefract. You can see his head, but I have to admit I never noticed him once the production started. Earl Carpenter in the lead was very good indeed though not in the same league as Crawford who we had seen on two occasions. Legroom was adequate for two 5' 10" people, one with a larger than average bottom (!) Its simply a way to sell second grade overpriced seats under the disguise of a special offer. Ramin is worth the ticket price alone. It delivered as only Phantom can and I thoroughly enjoyed it. It's no longer a big universe with lots of little characters, it's a small universe with a few big characters. Superb show straight from London's West End. The music is so beautiful and the set amazed me with the chandelier and staircase. Wednesday and Saturday at 2.30pm and 7.30pm. N6 The Booker Prize-winning novel-now a major motion picture from Fox SearchlightPictures. __________________________________, October 3rd 2016. However Ramin was very moving in 'Music of the Night' and his acting was the best I've ever seen. Kirsty The only real disadvantage was that it's quite close to a speaker on the wall, which sometimes makes it difficult to locate a voice on stage because the sound's coming from a different direction. We use cookies to ensure that we give you the best experience on our website. The show started on time and approximately 5 minutes later, approximately 25 latecomers arrived separately in small groups and were seated in with ushers along the Grand Circle. This show knocks spots off the movie and I am currently reading the novel, struggling a little with it as it is quite different. Cant wait to go and see it again! Grand Circle, Seats D14, D15 and D16 were fantastic. But it is often possible to grab cheaper tickets on the sides of the stalls, where slight sightline restrictions are compensated by the immediacy of the performers. My partner really enjoyed the show and we both agreed that the staging is excellent. I would not recomend the seat for first time watching, but for a repeat visitor it's aceptable. Use our interactive seating plan to view 1352 seat reviews and 2662 photos of views from seat. Oh, and theatremonkey thinks the heroine should have got the Phantom - her bloke suffers from a total charisma bypass. So if anything is happening higher up the stage you cannot see it. I had to tilt my head a few times (Phantom on the proscenium arch; the chandelier crash), and the dry ice gondola ride probably looks more impressive from a few rows back, but being so close to the performers, being able to see every nuance, is just marvellous. Overall we had a memorable night seeing a show that's rightly heralded as a classic - it hasn't jumped to the top of the list of my favourites, but in fairness a show with as much music in this particular style is never going to rank quite as highly as some others. ( and missed our train, but I have seen in a Phantom since Crawford... 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